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Bjorn
01-Oct-2008, 16:11
Aké - The Years of Childhood, the first volume of Nigerian Nobel prize winner Wole Soyinka's (possibly slightly fictionalised) autobiography, is the first book of his I've read. For most authors, an autobiography is probably not the best place to start; most of the time, I want a reason to care about what the author has done before getting into his life story.

In this case, though, it doesn't disappoint at all. Ak? chronicles young Wole's childhood up to about 11 years of age, and given that he was born in 1934, that's a fairly tumultuous time. While the world war rages somewhere just beyond the horizon, Nigeria is somewhere in between the old ways and the new ones, stuck between old tribal kingdoms and the new world, the old religion and Christianity, the old language and English, still ruled by the British but beginning to find a new identity of its own - which isn't an easy process, as shown by the occasional sobering flash-forward to Nigeria in the early 80s.

Soyinka spins this into an amazingly vivid tale, which doesn't shy away from dark subjects but tackles it all with a great sense of humour and the wide eyes of a child who, at first, doesn't understand half of what's going on around him. In a slightly unusual but very well-crafted narrative, he tells the whole story from the perspective of himself as a child (I'm somewhat reminded of Roth's The Plot Against America) which means that as he grows up, the story becomes more intricate, the adult characters more three-dimensional, and his observations more astute; mirroring, in a way, a young country starting to find its footing (Nigeria wouldn't achieve independence until 1960). As with many childhood stories, it's more of an episodic tale than a straight narrative, which means that it tends to be a little disjointed and slow-paced at times - but even then the fantastically colourful prose makes it worth it. For all the times the book makes me crack up laughing, or even be nostalgic for a time I've never lived in in a country I never visited and a culture I was never part of, there's always the sly adult Soyinka somewhere behind it, using his young self as an only mostly reliable narrator to describe how we come to understand - and challenge - the world. ****0

Jan Mbali
03-Jul-2009, 19:41
There are few books I am persuaded to buy through reading postings. This will possibly be an exception. Probably because recently I saw an excellent local (South African) production of the satirical The Lion and the Jewel. A play stuffed with rich poetic prose. As a student I read it and simplistically dismissed it as anti-female as it appears to defend polygamy and tradition agaist a crude apostle of colonial style modernity. Also recently, I read the African Child by Camara Laye and need an antidote to its over-idealistic portrayal of traditional African society, in spite of its lyrical beaty, even in tanslation from the French. A South African biography from child to young man which is a classic is Down Second Avenue by Ezekiel Mphahlele. Interestingly, that is not a tale of tradition vs colonialism, but the experience of all kinds of oppression - racial foremost- in an urban context and gets deep into the psychology of childhood. It compares to Gorki's version in that and other respects. The prevailing theory on the struggle side was that South Africa had internal colonialism of a "special type", which at least on a subjective level held (and to an extent holds) very true, but the English and French variants in the rest of Africa had both differences and similarities.

liehtzu
06-Jul-2009, 04:54
Once again, Bjorn, you've beaten me to the punch. I have this stack of (unread) books that I'm SURE no one else has and that I can get to at my leisure then be the first to post a mighty Review, and then you slide on in there first, damn it all! But then you go on about how good said book is and I feel better...

Actually, I'm only pullin' ya leg. I think it's mighty fine that there's another lunatic out there in the world that would see Ake: The Years of Childhood on a shelf somewhere a feel a little jolt of joy.

On a related note, I've come across another Soyinka book, Ibadan, in my recent searches, and have no intention of buying it until I've finished Ake, but I do wonder if anyone's read this one. Soyinka has the dual problems of being African and mostly considered a playwright, which is probably why he is one of the "obscure" Nobel Laureates.

chika
06-Jul-2009, 06:45
Ak? is a beautiful, beautiful book. I haven't read Ibadan yet, but will look out for it. One of my favourite plays of all time is Soyinka's The trials of Brother Jero. It was my introduction to Soyinka many, many years ago

Daniel del Real
06-Jul-2009, 21:21
Soyinka has the dual problems of being African and mostly considered a playwright, which is probably why he is one of the "obscure" Nobel Laureates.

This is a question I've always had about Soyinka. He was the first african to get the Prize, and his works are not widely distributed in english language, not enven mention in spanish, which are practically unexisting.
Many say his prize was more political than literary, so I need to check it by myself. What is your opinion about his works and what would you recommend to start getting my own opinion about him?

Bjorn
06-Jul-2009, 21:29
This is a question I've always had about Soyinka. He was the first african to get the Prize, and his works are not widely distributed in english language
Really? I was under the impression that just about all his books were written in English?

I haven't read anything besides Ak? so far, but I just bought Season of Anomie and hope to get to it within the not too distant future.

Daniel del Real
06-Jul-2009, 21:46
Really? I was under the impression that just about all his books were written in English?

I haven't read anything besides Ak? so far, but I just bought Season of Anomie and hope to get to it within the not too distant future.

Sorry, I meant spanish

Mirabell
06-Jul-2009, 23:29
Really? I was under the impression that just about all his books were written in English?



Really? I thought he translated them into English himself. But I haven't read a line of his, I am completely clueless.

chika
07-Jul-2009, 02:47
Soyinka- like most Nigerian writers- writes in English and his books are widely available in English. I do not know about the other languages as I don't read anyother language ( well, except for Dutch). I've never had the impression that he was obscure. To be honest, I'm only hrearing that now for the first time. he might be difficult to read ( even he acknowledges it) but obscure??

mimi
26-Aug-2009, 23:45
Wole Soyinka is Africa's foremost playright and one of the world?s leading lights in this genre. He ranks right up there with Pinter in the complexity of the developed narrative and plot; and the breadth of the subject matter tackled. From intellectual alienation of African intellectuals, to corruption in newly emerging African nation states, to re-writes of Greek-inspired classic restorying of ancient Yoruba myths, Soyinka demonstrates a rare, deep and rich versatility of talent.

In my opion his best work can be found among his plays- some of the most magnificent are: Death and The King's Horseman ? this is considered his magnum opus? and played in London recently for months.Also pick up The Lion and the Jewel', 'The Trial of Brother Jero,' 'The Bachae of Euripides', 'Camwood on the Leaves', and 'Jero's Metamorphosis?.

Soyinka is best known as a playright although he has writter everything from novels ? The interpreters (be ready for a jaw-breaking challenge here) - to poems - the telephone conversation is a classic. Good luck

chika
26-Aug-2009, 23:52
[.

Soyinka is best known as a playright although he has writter everything from novels ? The interpreters (be ready for a jaw-breaking challenge here) - to poems - the telephone conversation is a classic. Good luck[/QUOTE]

The telephone conversation is clever, witty but deals with a very serious topic