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Thread: Herman Melville: Typee

  1. #1
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    United States Herman Melville: Typee

    This may be a little oldschool to throw on out there, as it seems most discussions here tend to be about XXth century works (which is great, don't get me wrong). But it's a favorite, and I just found a copy today in a used bookstore, and I'm going to post my old review from another forum. It's mostly passages from the book, which is in public domain. This is one of the few books that I read once every year or so, as it has a quietly healing effect.

    ..........................................


    The book is a feast of weird wonders, in which Melville constantly compares the lives of the "savage" islanders with "civilization," always to the detriment of the latter. Melville?s barely fictionalized alter ego is treated like a king, and lavished with attention by the fairest maiden on the isle, yet still stubbornly maintains that he must "escape" from this paradise - and he gets what he wants, and Omoo, the fine but not-as-marvelous sequel to Typee, begins almost immediately aboard a creaky, stinking, crowded whaling vessel and the narrator?s what-the-fuck-have-I-just-done epiphany. This is a phenomenal book, written by a genuine American original.

    Note: Almost all of the following passages were cut from the American edition published in Melville?s lifetime, as its American publishers felt they showed hostility towards western civilization (I imagine the remarks about missionaries caused some shrieks of alarm in 1846):



    (in the island valley) There were none of those thousand sources of irritation that the ingenuity of civilized man has created to mar his own felicity. There were no foreclosures of mortgages, no protested notes, no bills payable, no debts of honour in Typee; no unreasonable tailors and shoemakers perversely bent on being paid; no duns of any description and battery attorneys, to foment discord, backing their clients up to a quarrel, and then knocking their heads together; no poor relations, everlastingly occupying the spare bed-chamber, and diminishing the elbow room at the family table; no destitute widows with their children starving on the cold charities of the world; no beggars; no debtors? prisons; no proud and hard-hearted nabobs in Typee; or to sum up all in one word?no Money! ?That root of all evil? was not to be found in the valley.


    In this secluded abode of happiness there were no cross old women, no cruel step-dames, no withered spinsters, no lovesick maidens, no sour old bachelors, no inattentive husbands, no melancholy young men, no blubbering youngsters, and no squalling brats. All was mirth, fun and high good humour. Blue devils, hypochondria, and doleful dumps, went and hid themselves among the nooks and crannies of the rocks.

    Here you would see a parcel of children frolicking together the live-long day, and no quarrelling, no contention, among them. The same number in our own land could not have played together for the space of an hour without biting or scratching one another. There you might have seen a throng of young females, not filled with envyings of each other?s charms, nor displaying the ridiculous affectations of gentility, nor yet moving in whalebone corsets, like so many automatons, but free, inartificially happy, and unconstrained.



    The none-too-subtle sarcasm in the last sentence of the first paragraph here must ruffled some feathers in its day, but I was in stitches:

    Although I had been baffled in my attempts to learn the origin of the Feast of Calabashes, yet it seemed very plain to me that it was principally, if not wholly, of a religious character. As a religious solemnity, however, it had not at all corresponded with the horrible descriptions of Polynesian worship which we have received in some published narratives, and especially in those accounts of the evangelized islands with which the missionaries have favoured us. Did not the sacred character of these persons render the purity of their intentions unquestionable, I should certainly be led to suppose that they had exaggerated the evils of Paganism, in order to enhance the merit of their own disinterested labours.

    In a certain work incidentally treating of the ?Washington, or Northern Marquesas Islands, ? I have seen the frequent immolation of human victims upon the altars of their gods, positively and repeatedly charged upon the inhabitants. The same work gives also a rather minute account of their religion?enumerates a great many of their superstitions?and makes known the particular designations of numerous orders of the priesthood. One would almost imagine from the long list that is given of cannibal primates, bishops, arch-deacons, prebendaries, and other inferior ecclesiastics, that the sacerdotal order far outnumbered the rest of the population, and that the poor natives were more severely priest-ridden than even the inhabitants of the papal states. These accounts are likewise calculated to leave upon the reader?s mind an impression that human victims are daily cooked and served up upon the altars; that heathenish cruelties of every description are continually practised; and that these ignorant Pagans are in a state of the extremest wretchedness in consequence of the grossness of their superstitions. Be it observed, however, that all this information is given by a man who, according to his own statement, was only at one of the islands, and remained there but two weeks, sleeping every night on board his ship, and taking little kid-glove excursions ashore in the daytime, attended by an armed party.

    Now, all I can say is, that in all my excursions through the valley of Typee, I never saw any of these alleged enormities.
    ....

    In fact religious affairs in Typee were at a very low ebb: all such matters sat very lightly upon the thoughtless inhabitants; and, in the celebration of many of their strange rites, they appeared merely to seek a sort of childish amusement.



    And this amazing sequence, in which an idol gets a "box over the head" by the local priest for refusing to cooperate:

    Kolory was a sort of Knight Templar?a soldier-priest; for he often wore the dress of a Marquesan warrior, and always carried a long spear, which, instead of terminating in a paddle at the lower end, after the general fashion of these weapons, was curved into a heathenish-looking little image. This instrument, however, might perhaps have been emblematic of his double functions. With one end in carnal combat he transfixed the enemies of his tribe; and with the other as a pastoral crook he kept in order his spiritual flock. But this is not all I have to say about Kolory.

    His martial grace very often carried about with him what seemed to me the half of a broken war-club. It was swathed round with ragged bits of white tappa, and the upper part, which was intended to represent a human head, was embellished with a strip of scarlet cloth of European manufacture. It required little observation to discover that this strange object was revered as a god. By the side of the big and lusty images standing sentinel over the altars of the Hoolah Hoolah ground, it seemed a mere pigmy in tatters. But appearances all the world over are deceptive. Little men are sometimes very potent, and rags sometimes cover very extensive pretensions. In fact, this funny little image was the ?crack? god of the island; lording it over all the wooden lubbers who looked so grim and dreadful; its name was Moa Artua.

    And it was in honour of Moa Artua, and for the entertainment of those who believe in him, that the curious ceremony I am about to describe was observed.

    Mehevi and the chieftains of the Ti have just risen from their noontide slumbers. There are no affairs of state to dispose of; and having eaten two or three breakfasts in the course of the morning, the magnates of the valley feel no appetite as yet for dinner. How are their leisure moments to be occupied? They smoke, they chat, and at last one of their number makes a proposition to the rest, who joyfully acquiescing, he darts out of the house, leaps from the pi-pi, and disappears in the grove. Soon you see him returning with Kolory, who bears the god Moa Artua in his arms, and carries in one hand a small trough, hollowed out in the likeness of a canoe. The priest comes along dandling his charge as if it were a lachrymose infant he was endeavouring to put into a good humour. Presently entering the Ti, he seats himself on the mats as composedly as a juggler about to perform his sleight-of-hand tricks; and with the chiefs disposed in a circle around him, commences his ceremony. In the first place he gives Moa Artua an affectionate hug, then caressingly lays him to his breast, and, finally, whispers something in his ear; the rest of the company listening eagerly for a reply. But the baby-god is deaf or dumb, ?perhaps both, for never a word does he utter. At last Kolory speaks a little louder, and soon growing angry, comes boldly out with what he has to say and bawls to him. He put me in mind of a choleric fellow, who, after trying in vain to communicated a secret to a deaf man, all at once flies into a passion and screams it out so that every one may hear. Still Moa Artua remains as quiet as ever; and Kolory, seemingly losing his temper, fetches him a box over the head, strips him of his tappa and red cloth, and laying him in a state of nudity in a little trough, covers him from sight. At this proceeding all present loudly applaud and signify their approval by uttering the adjective ?motarkee? (good) with violent emphasis. Kolory however, is so desirous his conduct should meet with unqualified approbation, that he inquires of each individual separately whether under existing circumstances he has not done perfectly right in shutting up Moa Artua. The invariable response is ?Aa, Aa? (yes, yes), repeated over again and again in a manner which ought to quiet the scruples of the most conscientious. After a few moments Kolory brings forth his doll again, and while arraying it very carefully in the tappa and red cloth, alternately fondles and chides it. The toilet being completed, he once more speaks to it aloud. The whole company hereupon show the greatest interest; while the priest holding Moa Artua to his ear interprets to them what he pretends the god is confidentially communicating to him. Some items intelligence appear to tickle all present amazingly; for one claps his hands in a rapture; another shouts with merriment; and a third leaps to his feet and capers about like a madman.



    And I?m a sucker for rapturous descriptions of Polynesian girls, and there are more than a few here:

    Having completed their preparations, the girls now exhibited themselves in gala costume; the most conspicuous feature of which was a necklace of beautiful white flowers, with the stems removed, and strung closely together upon a single fibre of tappa. Corresponding ornaments were inserted in their ears, and woven garlands upon their heads. About their waist they wore a short tunic of spotless white tappa, and some of them super-added to this a mantle of the same material, tied in an elaborate bow upon the left shoulder, and falling about the figure in picturesque folds.

    ...

    People may say what they will about the taste evinced by our fashionable ladies in dress. Their jewels, their feathers, their silks, and their furbelows, would have sunk into utter insignificance beside the exquisite simplicity of attire adopted by the nymphs of the vale on this festive occasion. I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of island girls; their stiffness, formality, and affectation, contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de? Medici placed beside a milliner?s doll.
    The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. - Hermann Broch

  2. #2
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    Default Re: Herman Melville: Typee

    hey very cool
    Melville's one of my five favorite writers
    Will be rereading Typee and Omoo starting next week
    so very cool

  3. #3
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    Default Re: Herman Melville: Typee

    Quote Originally Posted by Mirabell View Post
    hey very cool
    Melville's one of my five favorite writers
    Will be rereading Typee and Omoo starting next week
    so very cool
    I'm not as huge on Omoo (and less so on Mardi, which, I must admit, I never finished) because its subject matter doesn't hold the same level of interest for me. I'm much more interested in the descriptions of island life, island girls...

    But the book is too often relegated, even by Melville critics, to the level of "apprentice work," or simply an adventure story, but it actually contains in a nutshell a lot of Melville themes, and beyond the adventure is a stinging critique of Western society.

    Anyway, let us know how it goes!
    The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. - Hermann Broch

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