Ahmadou Kourouma: Allah Is Not Obliged

kpjayan

Reader
"The full, final and completely complete title of my bullshit story is: Allah is not obliged to be fair about all the things he does here on earth. Okay. Right. I better start by explaining some stuff.

First off, Number one . . . My name is Birahima and I'm a little nigger. Not 'cos I'm black and I'm a kid. I'm a little nigger because I can't talk French for shit. That's how things are. You might be a grown-up, or old, you might be Arab, or Chinese, or white, or Russian ? or even American ? if you talk bad French, it's called parler petit n?gre ? little nigger talking ? so that makes you a little nigger too. That's the rules of French for you."

thus, starts this magnificent novel by this Ivory Cost writer, about the war ravaged Western Africa.

Birahima, "the fearless , blameless street kid" , narrates his experience during his journey through the war affected countries as a "child soldier , small soldier, soldier-kid", under multiple warloads , in his raw, foul mouthed , unsympathetic narrative, using various dictionaries for help (Larousse, a Petit Robert, a Glossary of French Lexical Particularities in Black Africa and a Harrap's, picked up towards the end of his travel).

After the death of his mother, who as he describes, "moved on her arse like a caterpillar", after her leg is amputated ( because her soul was savouring on her on body) , "the fearless blameless street kid" has to leave his home and go in search of his aunt who presumably lives in Liberia. The once sorcerer ( gri-gri) , criminal, money multiplier Yacouba, "the crippled crook" agrees to take him there. As is the case with in any journey through Liberia, the truck they were traveling was also intercepted by the Child Soldiers of a Liberian warload and he end up as a child soldier in their camp. Few desertions and in certain cases the deaths of the chiefs, make him and Yacouba to travel across the countries of Liberia,Ivory Cost and Sierra Leone in search of his aunt, associating with various factions as a child soldier in the process.

It brings strong resemblance of other memoirs of child soldier ( like A Longway Gone by Ismael Beah), the difference here is in the narrative and the fictional writing qualities. While the writer uses the child soldier as the central character, we often listens to a strong political and social writer taking over the narration. That is also a draw back of the book, where many a times, the writing takes a turn, which to me is in-comprehensible to a 12 year old boy.

The real ( various war-leaders of Liberia , Sierra Leone and other heads of states) and the fictional characters comes alive in his story. The reality and the fiction are very closely interlinked. Very political, tragic novel about the human crisis in Africa. The the author does not mince any words, literally abusing the war lords, the international agencies, the peace keeping force and the people with all his strong conviction.

"The peace keeping forces didn't keep the peace, they don't take any unnecessary risks. They weren't bothered about details, they just fired at random, they fired shells at the people doing the attacking and at the people being attacked. They bombed right into the crowd , into the chaos. In a single day , they produced loads of innocent victims, more victims than a whole week of rival factions just fighting with each other."

Fascinating novel by this Ivory Cost writer. Interesting use of languages and style, at times getting into a political commentary ( where the author takes over from the kid who is narrating) , some nice poetic repetitive use of phrases ( you see this in many places) makes it a good read. While it makes a strong political and humanitarian crisis statement, here is also a superb writer using a non-standard language and mixing the local words and with few amusing use of repetitive phrases and sentences.
 

Daniel del Real

Moderator
It's funny to see your review today because yesterday I finished this book. The same as you I found it marvelous, a very tragic story of the wars for power in Africa. As I was reading the novel I started checking about those war lords of the book in wikipedia, to check what was real and what fiction. Unfortunately I realized that all the stories about power, blood and mutilations were real. The Fiction of Korouma is set with Birahima, Yacuba and everything that happens to these characters.
Novel makes you feel terrible as humanity that those things are still happening in Africa. I was astonished when I read about Foday Sankoh from Sierra Leone who amputated people's arms so they couldn't vote to preserve the power.
Narration is very good, focused on the main story but at the same time depicting the terrible overview of these lands full of violence and thirst for blood. It is very interesting how the author presents every character story only after they've been killed in the book.

There are just two things I didn't like. First the constant usage of the dictionaries, the definitions don't let the story to flow as good as it could be. So they talk about an uneducated 12 year old boy, but definitions sometimes are easy, on the other hand more difficult terms pass along without explanations.
As you said, at some times you lose Birahima and find the author talking to you

While the writer uses the child soldier as the central character, we often listens to a strong political and social writer taking over the narration. That is also a draw back of the book, where many a times, the writing takes a turn, which to me is in-comprehensible to a 12 year old boy.

Anyway I really enjoyed this book, a very good discovery for this early 2009
 

kpjayan

Reader
I was astonished when I read about Foday Sankoh from Sierra Leone who amputated people's arms so they couldn't vote to preserve the power.
I remember seeing such a scene in "Blood Diamond".
 
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kpjayan

Reader
Well, my error, apologise. I should have put in a separate line or with some disclaimer.

On a second thought, the first line has to be deleted, as I can't substantiate that with proofs.

Edited the previous post.
 

Daniel del Real

Moderator
From Wikipedia:

Foday Saybana Sankoh (October 17, 1937-July 29, 2003) was the leader and founder of the Sierra Leone rebel group Revolutionary United Front (RUF) in the 10-year-long Sierra Leone Civil War, starting in 1991 and ending in 2002. An estimated 50,000 people were killed during the war, and over 500,000 people were displaced in neighboring countries.
The RUF became notorious for brutal practices such as mass rapes and amputations during the civil war. Sankoh personally ordered many operations, including one called "Operation Pay Yourself" that encouraged troops to loot anything they could find.

The more tragic situation here is that this is still happening. This week president from Guinea Bissau was muredered.
 
F

ferns_dad

Guest
I read it and was not real impressed. I found the writing pretty stilted and the story had no real continuity 2stars
 

chika

Reader
I read it and was not real impressed. I found the writing pretty stilted and the story had no real continuity 2stars

I TOTALLY loved this book, i moved its narrative voice, i loved its irreverence, i loved its in-your-face style!!!
 

LRiley

Reader
I thought 'Allah is not obliged' was a great book as well. I was less than impressed with his 'Monnew' though. Anyway 'Allah' I can see myself reading again. In some respects it reminded me of Celine.
 
F

ferns_dad

Guest
I read Monnew as well, and came to the same concludie,

really poorly written, IMO

ymmv

f's d
 

Bjorn

Reader
Like others, I'm a little bit on the fence about this book. Yes, the story itself is - for the most part - both horrifying and engrossing; a tale of an entire part of the world essentially thrown to the wolves, described by a lamb, albeit a lamb with a kalashnikov. (Sorry, that metaphor got away from me.) Kourouma's language - or the bits of it that survive in translation, frankly the English translation sounds better than the one I read - is powerful, itself almost as violent as the subject matter.

On the other hand, yeah, the frequent switches to encyclopedia mode really break the flow of the story, and like others in the thread, I don't really buy that that's a 12-year-old soldier lecturing on the history of Sierra Leone. Which is a real pity, because Birahima is a hell of a character when he's allowed to be himself and not just an info-dump machine. As interesting (and horrifying) as those info dumps are.

***00
 
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ferns_dad

Guest
I have pretty new copies of both of these Kouroumas that I could swap with someone for something, PM me if you are interested.

*0000
 

destined2b

New member
Fascinating novel by this Ivory Coast writer. Interesting use of languages and style, at times getting into a political commentary ( where the author takes over from the kid who is narrating) , some nice poetic repetitive use of phrases ( you see this in many places) makes it a good read. While it makes a strong political and humanitarian crisis statement, here is also a superb writer using a non-standard language and mixing the local words and with few amusing use of repetitive phrases and sentences.

This is one fantastic book but it's really a great chronicle into the violence in Africa. The depictions in this book is awesome if only for its credibility. It's hard to believe that it's happening in this time and age, but it does.

Kourouma is a brilliant writer and storyteller, interweaving his story against the violent and vindictive African backdrop. But I do agree that sometimes the author's voice comes through. I am not exactly sure if I like that or not, but I sure enjoyed this book more than any other in recent memory.
 

Lleir

Reader
Here's a review I wrote pretty much just after reading it awhile ago, so it's a little unpolished but nonetheless....



'Allah is Not Obliged' is the relentlessly brutal but nonetheless hilariously acerbic sixth novel originally written in French by Ivorian writer Ahmaodou Kourouma, whose central conceit is that it is written as the first-person account of a child soldier who has travelled through West Africa, principally in Liberia and Sierra Leone and now finds himself with a stack of dictionaries and some paper.

Kourouma's narrator, Birahima, has a narrative voice full of such wit and mockery for the sheer horrors (and there are horrors, let me tell you) of civil and tribal war that the novel almost seems as if it's going to be a masterpiece along the lines of 'Catch 22' or 'Slaughterhouse Five' but is utterly betrayed by a small portion of the novel when Kourouma intrudes on the text with historical and political asides, though admittedly necessary for a Western audience, were pulled off with such disregard for the mechanics of the text he had already set up that they act almost as bayonet wounds. If the central conceit of this novel is that it is being written by a child soldier, then it follows that it is impossible to suspend disbelief when said child soldier starts ranting about the history and politics of Liberia and Sierra Leone in the way an educated Ivorian adult would.

The other flaw is that Birahima's frequent dashes to a dictionary work sometimes (especially when he uses them for a bitter joke, see: his definition of peacekeepers) they do break up the prose a little too much and become rather repetitive.

On the other hand the usage of repetition at times also lends credence to the idea that this novel approaches 'Catch 22' or 'Slaughterhouse Five' and honestly I enjoyed 'Allah is Not Obliged' almost in the same way I did them. Unfortunately Kourouma snatches defeat from the jaws of victory with a novel which has one really deep flaw and a real need to be far more expanded (which would have happened if Kourouma had finished the sequel before he died) to achieve that level of greatness.
 

ArcipresteXII

New member
I am ready to read in the following days Les Soleils des indépendances. I am exited because after checking some of Kourouma's life, this books looks so interesting. Let’s see what in the future and this story hold.
Sadly, Kourouma only wrote three novels in his life. Nevertheless, sometimes is more important quality than quantity!
 
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