I think we all know why there’s such a gender imbalance in the winners.
Well... I don’t. I don’t know them, we can only make suppositions (unless it can somehow be proven, like that Engdahl quote about American literature being too insular — even if his comments were
mostly misunderstood).
And yes, many great writers who were women* were not recognised by the academy in the past (both recent and distant) — just as many men weren’t, for many reasons... there’s Tolstoy and them
apparently respecting the author’s wish not to receive the prize; there are the writers who didn’t go well with the ascetic, lofty idealistic, aesthetic politics of the time, such as Ibsen, Zola, Strindberg etc... then we have also to remember that for most of it the SA depends (and depended) on nominations — Woolf didn’t get one, nor did Joyce etc. As we’ve seen recently, in 1970 only a couple of women were nominated! I haven’t even touched on the topic of publishers and their role in allowing women to be published...
I understand your reasoning, tho... I just think the issue may be broader than just pointing the finger at the academy (specially its current iteration - from Gordimer on, 20 to 10 is a fairly good proportion, and they haven’t shied away from writers who, while stylistically strong, also spoke loud about, say, “important” issues; thinking of Gordimer herself, Morrison, Jelinek, Lessing, Müller, Aleksievitch, Tokarczuk...).
*it’s so strange referring to people based on their gender in English! I could use the words male or female but I keep remembering what Claire Denis had to say about this, and I agree with her.