For a change, let us look at two Serbs who merit some attention – Svetislav Basara and Zoran Zivkovic. Both are genre -defying writers. Basara says he doesn’t like pre-fixes attached to his writing and as for Zivkovic, he says his writing doesn’t really belong to any category. Further, they both don’t follow the tradition of the other great Serbs before them like Danilo Kis, Milorad Pavic and Borislav Pekic. Both are prolific in output but English translations aren’t too many yet. Also, both have been decorated with many Prizes and awards already.
Basara combines in his writing elements of Cervantes, Kafka, Bashevis Singer and a little bit of the magic-real of Marquez – a bizzare combination, I admit. His writing is informed by “Hyperinflation of humanity; fatigue; the crisis of meaning and spinelessness of modern day existence” as he puts it. Two of his works stand out – “In Search of the Grail” and “The Mongolian Travel Guide”. During the Balkan war phase, he quit the Serbian Writers Association in protest against the spineless submission of writers to the interests of divisive forces. So, in a way, the Nobel Committee gets a chance now to make amends to what they did in 2019 when they handed over the prize to Peter Handke! You may even call it unintended “retributive justice” if this happens.
Zivkovic’s unconventional style of writing carries a meteoric flash – a flash of truth revealed momentarily to the reader. He will have his detractors. I can see Daniel’s red face already! Zivkovic evolved through science fiction (he is the author of the Encyclopaedia of SF), fantasy literature and then moved on to detective fiction (The Papyrus Trilogy is quite good, reminiscent in some ways of Eco’s “The Name of the Rose”). His short works are his best, I feel. I enjoyed “The Library” thoroughly. He says he likes to remain outside the realms of “definitions” and all forms of vanity.
I am not a fan of either, but a Prize for either of them would mean that we at least hear a refreshingly new Nobel salutation quite different from the ones we are accustomed to listening until now.