Undeserving Laureates

lenz

Reader
Re: The Nobel Prize

Gunter Grass won in 1999. Does that mean Grass was, essentially, a runner up to Saramago in '98 and therefore did the committee consider Saramago to be a better writer than Grass?
Only one winner can be chosen each year. What if it had been Saramago first and Grass second? I suppose they take many things into consideration: age, nationality, literary accomplishment, contribution to education and (perhaps) moral philosophy, political involvement (I think there may be a link to the peace prize here), etc..

Of course, there are many writers who might meet the criteria set by the committee but, again, only one can be chosen and then, why not choose a controversial winner? Who would care if it was always a safe, popular choice?
 

JTolle

Reader
Re: The Nobel Prize

Only one winner can be chosen each year.

1904: Frederic Mistral and Jose Echegaray
1917: Karl Gjellerup and Henrik Pontoppidan
1966: Nelly Sachs and Shay Agnon
1974: Eyvind Johnson and Harry Martinson
 

waalkwriter

Reader
Re: The Nobel Prize

1904: Frederic Mistral and Jose Echegaray
1917: Karl Gjellerup and Henrik Pontoppidan
1966: Nelly Sachs and Shay Agnon
1974: Eyvind Johnson and Harry Martinson

1974 was one of the worst decisions they made. With Saul Bellow and Vladimir Nabokov and Graham Greene up as potential winners they chose to dump the whole lot out and give the Award to two members of the Award Committee itself, talk about a conflict of interest, more critical is that fact that both these guys were pretty unknown outside of Sweden and have today been totally relegated to unimportance outside of the sphere of Swedish National literature.
 

lenz

Reader
Re: The Nobel Prize

Oops. There are exceptions, of course, but are those dual winners a compromise resulting from either political or artistic disagreements? Aha! I just looked this up on Wikipedia:

The Nobel Committees for four of the prizes, physics, chemistry, physiology or medicine, and literature, are working bodies within their prize awarding institutions, the Royal Swedish Academy of Sciences, Karolinska Institutet, and the Swedish Academy. These four Nobel Committees only propose laurates, while the final decision is taken in a larger assembly: the entire academy for the prizes in physics,[1] chemistry,[2] and literature,[3] and the 50 members of the Nobel Assembly at the Karolinska Institute for the prize in physiology or medicine.[4][5]



You learn something every day, don't you?
So! Winners are only proposed by the committee of whoever they are; with a "larger assembly" voting, however, there may be larger prejudices at work. Who knows? At any rate, it isn't, apparently, so much a matter of "deserving" the award as being the largely acceptable one that year. I shall not worry about it further. I wish to thank the academy . . .
 

Eric

Former Member
Re: The Nobel Prize

If you're giving an individual a million dollars, which they can spend on booze, give away to charity, or have extracted from them by the mafia or sycophants with different degrees of pressure, you have to consider carefully to whom you are giving it. Hence my rather cynical comments. But the important thing is that it is given to a person worthy of the award.

One important point mentioned by Daniel and Waalkwriter is: the award should most certainly not be given for just one book. If any award or prize should consider a whole body of work, it should be the Nobel. If one book is long-winded and obscure, the next may be succinct and a work of genius. But even two books can't make or break an author. When an author has written about fifteen collections of poetry, novels, plays or similar, then maybe they are in the running.

Despite the fact I like to spar with Mirabell on certain topics, I do agree with him on certain things. But I think I, an English-speaker, do side with Liam about Jelinek. The subject-matter itself already rings alarum bells. I am, once again, going to fall back on my old defence, prejudice, and avoid reading any of her books.

As for Ashbery and vocabulary, I do like the subtleties of the English language and the fact that we have thesauri full of synonyms. But sometimes it just isn't necessary to show off by using the obscurest of the obscure word, just to show readers that you are educated.

As for politics, both Pinter and Jelinek were avowedly left-wing. But terribly bourgeois with it. Pinter, although a humble East End of London Jew by origin, married one of the ?lite of the ?lite, Lady Antonia Fraser, the establishment daughter of Lord Longford, from an Anglo-Catholic family (and you can't get much posher than that! - remember Brideshead?) and Jelinek wasn't exactly the daughter of a worker either. I do believe that Antonia Byatt and her sister Margaret Drabble know Fraser.

Though the Swedes pulled out all the right stops when they gave the Martinson & Johnson duo the Nobel - good working class chappies, without a whiff of the bourgeoisie. The fact that they themselves were sitting on the Nobel committee was conveniently forgotten. In all fairness, the little I've read of Martinson & Johnson is good. But it is a bit of a disaster to give an international prize to two of your compatriots.

As for anti-Yankyism, Sweden has a very ambiguous attitude to the United States. Olof Palme, the descendant of Baltic-German baronial Latvians, by the way, so another non-working-class socialist leader, steered the Swedes, during the Vietnam war, in a very anti-USA direction. Yet just about the only foreign language most young Swedes can speak nowadays is English - with an American accent. This is telling.
 
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Amoxcalli

Reader
Re: The Nobel Prize

The Nomination Database is quite interesting:

Nomination Database

For instance, I wasn't aware of the fact that it is possible for an author to win the Nobel prize twice. Thomas Mann was nominated in 1948, having been awarded the prize in 1929. D.H. Lawrence was never nominated, E.M. Forster a mere three times. Virginia Woolf wasn't nominated. Thomas Hardy, on the other hand, received a large number of nominations, but never won the prize.
 

Daniel del Real

Moderator
Re: The Nobel Prize

The Nomination Database is quite interesting:

Nomination Database

For instance, I wasn't aware of the fact that it is possible for an author to win the Nobel prize twice. Thomas Mann was nominated in 1948, having been awarded the prize in 1929. D.H. Lawrence was never nominated, E.M. Forster a mere three times. Virginia Woolf wasn't nominated. Thomas Hardy, on the other hand, received a large number of nominations, but never won the prize.

Tolstoy was nominated from 1901 to 1906 and multiple times. It's truly unbeliveable he didn't get the award, specially if we consider how lame were the winners that decade.
Come on, who reads nowadays Carducci, Mistral, Echegaray, Bj?rnson, Mommsen, Prudhomme, Eucken, Heyse.
All them are authors that time has reached and their works have aged badly.
One century later, it's happening the same with the present decade.

How many authors that were awarded, let's say the first 30 years are considered classics nowadays? Kipling, Hamsun, Yeats, Shaw and Mann. Probably France and Tagore too. 7 out of 30, a very poor number.
 
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Re: The Nobel Prize

Do you consider it a travesty that a particular writer (let's stick to living writers, for convenience sake...) has so far been overlooked by the Nobel committee? Anyone unanimously favoured?

Hmmmm....."travesty" is a strong word, but on reflection I do think a Nobel for Rushdie is overdue. His last few novels have been so-so, but Midnight's Children, The Satanic Verses, Shame and The Moor's Last Sigh are more than reason enough. Rushdie could switch to writing Harlequin romances for the rest of his life, and those four books would still merit the award.

William T. Vollman is either ready or nearly ready for it, on the basis of the Seven Dreams sequence and his unique brand of journalism (can a journalist win the award? Even if not, Vollman's journalism is easily describable as 'literary non-fiction')

And I fully realise this is a pipe dream, but.... Alan Moore. Fact is, his comic books leave most novels for dead. But I'm not gonna hold my breath on this one ;)


Then, should age matter? Should the likes of, say, Mario Vargas Llosa have gotten the nod over Pamuk or Muller, who probably do have plenty of time to win?

While I agree with others that the writer needs to have build up a substantial body of work, I don't think age should be that significant a factor. In theory, someone could write 4 or 5 stunning novels by the age of 30, and so have left behind a body of work so strong that any future weaker books would not sully it.

Eric, what does Nobel's word choice suggest in the original Swedish? In the English translation, he doesn't seem to be talking about a writer's complete oeuvre.
 
Re: The Nobel Prize

Tolstoy was nominated from 1901 to 1906 and multiple times. It's truly unbeliveable he didn't get the award, specially if we consider how lame were the winners that decade.
Come on, who reads nowadays Carducci, Mistral, Echegaray, Bj?rnson, Mommsen, Prudhomme, Eucken, Heyse.
All them are authors that time has reached and their works have aged badly.
One century later, it's happening the same with the present decade.

How many authors that were awarded, let's say the first 30 years are considered classics nowadays? Kipling, Hamsun, Yeats, Shaw and Mann. Probably France and Tagore too. 7 out of 30, a very poor number.

True, but that's just the way the passage of time works. It's pretty much impossible to predict who's still going to be read in future decades, and it seems pointless to try - the award should be given on today's standards, not on what we think the standards will be in 80+ years.
 

Eric

Former Member
Re: The Nobel Prize

Daniel says:

Come on, who reads nowadays Carducci, Mistral, Echegaray, Bj?rnson, Mommsen, Prudhomme, Eucken, Heyse.

All them are authors that time has reached and their works have aged badly.
So, Daniel, which of these authors have you read so as to be able to judge for yourself what unworthy prizewinners they are? Maybe they have something to say that is still relevant and readable today, but because the "masses" don't read them, they no longer count as interesting.

I have found that a good deal of my reading often the seemingly peripheral authors that suddenly pop up and enjoy a revival, once some unprejudiced person rereads and promotes them.

The Nobel people can make terrible mistakes, but are all these eight laureates such bad and boring writers?
 

lionel

Reader
Re: The Nobel Prize

Maybe they have something to say that is still relevant and readable today, but because the "masses" don't read them, they no longer count as interesting.

Quite. I've read a parallel text edition of Mistral's Mireille/Mir?io (French/Proven?al), and it's beautiful!

BLOG
 

miercuri

Reader
Re: The Nobel Prize

Hmmmm....."travesty" is a strong word, but on reflection I do think a Nobel for Rushdie is overdue. His last few novels have been so-so, but Midnight's Children, The Satanic Verses, Shame and The Moor's Last Sigh are more than reason enough. Rushdie could switch to writing Harlequin romances for the rest of his life, and those four books would still merit the award.

William T. Vollman is either ready or nearly ready for it, on the basis of the Seven Dreams sequence and his unique brand of journalism (can a journalist win the award? Even if not, Vollman's journalism is easily describable as 'literary non-fiction')

And I fully realise this is a pipe dream, but.... Alan Moore. Fact is, his comic books leave most novels for dead. But I'm not gonna hold my breath on this one ;)
I agree about Rushdie, but I doubt it will ever happen, honouring Rushdie may attract some strong reactions.
I haven't read any Vollman yet, I've noticed his name popping up around the forum a lot lately. Anything in particular you would recommend?
As for Alan Moore winning the Nobel, I can definitely picture him refusing the honour, or pulling an even stranger tantrum. It would be interesting to see that happen, very slim chance though.
 

waalkwriter

Reader
Re: The Nobel Prize

Daniel says:


So, Daniel, which of these authors have you read so as to be able to judge for yourself what unworthy prizewinners they are? Maybe they have something to say that is still relevant and readable today, but because the "masses" don't read them, they no longer count as interesting.

I have found that a good deal of my reading often the seemingly peripheral authors that suddenly pop up and enjoy a revival, once some unprejudiced person rereads and promotes them.

The Nobel people can make terrible mistakes, but are all these eight laureates such bad and boring writers?

Mommsen is still very much read and studied for classics majors; he and Edward Gibbons wrote the two major books on Rome, Mommsen of it as a Republic, and Gibbons of its history as an empire. It might seem odd to give it to a historian, but Mommsen was an extremely academically renown scholar in his time and a major political activist; though in a more authoritarian sort of way. It makes sense for the time period, and you can't really say his works aren't read anymore; they are. It's just not popular reading to pick up a 1000 page or so tome on the Roman Republic with references to a couple of thousand historical sources.

I can't judge the others...
 

waalkwriter

Reader
Re: The Nobel Prize

Tons of interesting things on the database. Huxley got a pair of nominations in 38 and 39 but didn't get another between then and 1950, he might have gotten some more between 50-63 but those aren't available.

America seems quite overlooked by this committee. Neither Mark Twain nor Edna St. Vincent Millay ever received so much as a nomination. Aside from such a trivial author as Pearl Buck, and an astounding dramatist like Eugene O'Neil, the only Americans I can find in this early period, (I know, also Faulkner in 1950), even nominated by an actual member of the academy, (Frost was nominated by the American Academy of Arts in 1950), was Carl Sandburg-twice by Einar Tegen, (he was nominated for the first time by Sinclair Lewis).
 

Mirabell

Former Member
Re: The Nobel Prize

Tolstoy was nominated from 1901 to 1906 and multiple times. It's truly unbeliveable he didn't get the award, specially if we consider how lame were the winners that decade.
Come on, who reads nowadays Carducci, Mistral, Echegaray, Bj?rnson, Mommsen, Prudhomme, Eucken, Heyse.
All them are authors that time has reached and their works have aged badly.
One century later, it's happening the same with the present decade.

How many authors that were awarded, let's say the first 30 years are considered classics nowadays? Kipling, Hamsun, Yeats, Shaw and Mann. Probably France and Tagore too. 7 out of 30, a very poor number.

don't project your own lack of reading onto a couple of fine writers.
Mommsen is a stunning writer, his history of Rome is still relevant today, as a history of Rome, a hidden hostory of Wilhelminian Germany, and as a discussion of moral and poloitical issues that we still debate today. He's also steadily reprinted in Germany.

Mistral is one of my fav poets, and of Carducci while not read much, I adore the Barbarian Odes.

Both Eucken and Heyse are mediocre writers, whose reputation at the time seemed indestructible. Heyse was praised by most major German writers, his theory and work seemed durable and important. Turned out: eh, not so much. I think among current writers and candidates, Rushdie could be a Heyse-like candidate.

I have not read Echegaray, Bj?rnson or Prudhomme, but it used to be the case that that was MY problem, not the writers'. My lack of reading is shameful and regrettable, it does not say anything about the writers.
 

waalkwriter

Reader
Re: The Nobel Prize

don't project your own lack of reading onto a couple of fine writers.
Mommsen is a stunning writer, his history of Rome is still relevant today, as a history of Rome, a hidden hostory of Wilhelminian Germany, and as a discussion of moral and poloitical issues that we still debate today. He's also steadily reprinted in Germany.

Mistral is one of my fav poets, and of Carducci while not read much, I adore the Barbarian Odes.

Both Eucken and Heyse are mediocre writers, whose reputation at the time seemed indestructible. Heyse was praised by most major German writers, his theory and work seemed durable and important. Turned out: eh, not so much. I think among current writers and candidates, Rushdie could be a Heyse-like candidate.

I have not read Echegaray, Bj?rnson or Prudhomme, but it used to be the case that that was MY problem, not the writers'. My lack of reading is shameful and regrettable, it does not say anything about the writers.

I think he has a partially legitimate point though. While it is ridiculous to expect every author who wins the Nobel to go down as a historical giant, a great number of the early winners have utterly disappeared from our consciousness, even among dedicated readers with an interest in seeking out literature.

I think for instance, Bjornson is an undeniably bad choice Mirabel, because to award him, of the Great Four Norwegian authors, is ridiculous, especially when Henrik Ibsen is still widely read and widely performed today and has gone down as perhaps the greatest dramatist of the 19th Century, yet was overlooked in favor of a poet who has dwindled in obscurity, even, to a large degree, in his own country.

Or another poor choice like Verner Von Heidenstam, a member of the Academy itself whose work it seems to me, consists of nothing more than patriotic odes to Sweden.

Of some of the early figures who are unknown, I think Anatole France is probably a likely figure who might suddenly be "rediscovered" as he is a sarcastic intellectual, and I think we are reentering an age of skeptics.

I don't know what to think about Sigrid Undset, she is among the few of these "unknowns" that interests me in a fashion where I think she could be an enjoyable read, especially with an apparently good english translation recently done in 97 that transferred more of the style than the original did.
 

anchomal

Reader
Re: The Nobel Prize

I think he has a partially legitimate point though. While it is ridiculous to expect every author who wins the Nobel to go down as a historical giant, a great number of the early winners have utterly disappeared from our consciousness...


There have been winners (quite a few recent...) who were practically unknown outside their own countries, at least to the general reading public, before winning the prize. Whether their work is seen as worthwhile or not, how likely is it that they'll be widely read fifty or a hundred years from now?
So maybe it should not come as such a surprise that a number of early winners do get so easily overlooked.
 

lenz

Reader
Re: The Nobel Prize

Mommsen is still very much read and studied for classics majors; he and Edward Gibbons wrote the two major books on Rome, Mommsen of it as a Republic, and Gibbons of its history as an empire. It might seem odd to give it to a historian, but Mommsen was an extremely academically renown scholar in his time and a major political activist; though in a more authoritarian sort of way. It makes sense for the time period, and you can't really say his works aren't read anymore; they are. It's just not popular reading to pick up a 1000 page or so tome on the Roman Republic with references to a couple of thousand historical sources.

I can't judge the others...

There was a time when people read literature and it wasn't only fiction and poetry. Historical works, essays, science, philosophy, even criticism - all literature. I see no reason why the prize shouldn't go to an historian or scientist if they also happen to be excellent writers.
 

Mirabell

Former Member
Re: The Nobel Prize

There have been winners (quite a few recent...) who were practically unknown outside their own countries, at least to the general reading public, before winning the prize. Whether their work is seen as worthwhile or not, how likely is it that they'll be widely read fifty or a hundred years from now?
So maybe it should not come as such a surprise that a number of early winners do get so easily overlooked.


quite. I'd like some input from Bj?rn on how the scandinavian writers are perceived in their own cultures now, if that is possible.

I started a read of Undset a while ago and she's a very, very good writer.
 
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