Japanese Literature

Stewart

Administrator
Staff member
There's so many nations out there producing great - and not so great - literature and of course I've love to read as much from each. It's just that there's so much that it's either a case of specialising or sampling. I think I'm more of the latter.

And one nation's literature I've sampled a few more than others is Japan, albeit in small one-book-per-author bites.

Murakami Haruki, with Dance Dance Dance, left me indifferent to ever wanting to read him again. Likewise some of the short stories of Akutagawa Ryūnosuke. Mishima Yukio, on the other hand, left me with a desire to go on and read everything he wrote (and a couple of years on, I haven't. :eek: )

Recent reads this year have been Murakami Ryu and Kanehara Hitomi, both who seem to inhabit some torture-noir niche. Both are also winners of Japan's much sought after Akutagawa Prize, which is awarded twice a year. And planned reads for the future include Yoshimura Akira's Shipwrecks and one of a couple of Sōseki Natsume novels.

Going back to the Akutagawa Prize, it has also been won Abe Kobo, Ōe Kenzaburo, Endō Shūsaku, and Inoue Yasushi, but looking at the list of winners it seems safe to assume that, other than the aforementioned six, few others make the crossover from Japanese to English.

In Kawabata Yasunari and Ōe Kenzaburo, Japan also has two Nobel laureates. And thanks to the Japanese Literature Publishing Project we stand to see more Japanese literature in the coming years.

So, what's your experience of Japanese literature? Read much? Got recommendations?
 

matt.todd

Reader
Having just spent six months studying Japanese literature, I certainly feel more informed than I did before, in particular, some of the contemporary authors that are popular in Japan.

Yoshimoto Banana is one of the most popular contemporary novelists in Japan today. Her first novella, Kitchen, remains massively popular, despite many people in the literary establishment deriding her as populist and simplistic. Ah, the old "popular cannot equal literature" theory. Good one. Oh, and Kitchen is very good.

Hayashi Fumiko is another excellent author. I've only read a few of her short stories, but they are excellent in discussing the role of family in 20th century Japan.

When it comes to authors that have not been published in English, you can't go past Medoruma Shun, whose work is set in his local Okinawa - a place that is still sidelined in modern Japan. I have read some of his short stories, and they are very good. Hopefully, someone'll translate them in the near future.

Hmm, I could keep going, but these are some of my favourites that really stuck.
 

obooki

Reader
I'm going to be doing a short Heian-period novels project over on my site, since I happen to have collected a few:


  • Ochikubo Monogatari (c.970 AD), author unknown
  • Genji Monogatari (early c11th AD), Murasaki Shikibu
  • The Pillow Book (early c11th AD), Sei Shonagon
  • As I Crossed The Bridge of Dreams (mid c11th AD), Lady Sarashina
The middle two are the great classics (and I must say, The Pillow Book in particular looks extraordinary).
 

nnyhav

Reader
Yes, well, I really have to get the hang of that there tag thingy ...

As to what I've read, mainly late Meiji onward. I've found Kawabata consistently excellent; otherwise I've only sampled the best of the well-known names.
 

Jayaprakash

Reader
I'm currently reading Snow Country by Kawabata Yasunari; if nnyhav is interested we could discuss it in a seperate thread,soon. (Very soon - it's a very short book)
 

Jayaprakash

Reader
I certainly am, although there's a great deal of sadness in the story.

One thing Kawabata does really well, which one always hears of as a good literary technique but is hard to pull off well, is to weave descriptive matter into the narrative as a part of, either as parallel or reflection of, the characters' emotional lives. In the process, he makes Shimamura, who strikes me as a bit of a jerk, seem terribly sensitive to nature and mood, but I suppose the two traits are not incompatible.
 
Japanese literature

I didn't see this as an existing thread, so I thought I'd start it.

What experiences do people have here of Japanese literature? Personally I've read some Shusako Endo (a tremendous writer), Haruki Murakami (I'm very fond of him), Banana Yoshimoto (not just Kitchen I don't think, but Kitchen's all I recall), Junichiro Tanizaki, I may have read others. Shusako Endo, Haruki Murakami and Junichiro Tanizaki are all in my view tremendous writers (I was less taken by Yoshimoto, but I think I'm in a minority there), very different but each excellent in their own way.

I currently own, but haven't started, One Man's Justice by Akira Yoshimura and I am a Cat by Souseki Natsume which is a fairly famous Japanese classic.

So, what about you? What have you read? What would you recommend? What would you not? If anyone has any questions about any of the above authors I'm happy to try to help, and if anyone has suggestions to make I'd love to hear them.
 
Re: Japanese literature

There is one already actually:
http://www.worldliteratureforum.com/forum/general-discussion/617-japanese-literature.html

The "national" threads are all under "general discussion" and there is a useful and regularly updated thread that give you an overlook of what's there and what's not:

http://www.worldliteratureforum.com/forum/general-discussion/437-assorted-literatures.html

Thanks, I looked in the wrong forum, so didn't spot them.
Thanks for the assorted link to.
 
Dance, Dance, Dance is a sequel, I wouldn't read it on its own particularly.

South of the Border, West of the Sun is probably my favourite Murakami presently, it's an odd one with no surreal elements at all, but a wonderful examination of choices made and choices rejected and the regrets that can accompany such. I'm fond of Murakami as a writer, but I would note that most of his stuff is closer to magical realism than it is to naturalism.

Foreign Studies is a fairly good intro to Endo, it's three novellas thematically linked, quite bleak really. I also enjoyed Scandal, he's an interesting writer and his perspective as a member of an old Japanese Christian family an unusual one for his culture.

I didn't wholly like Kitchen, though I didn't dislike it either. For me it was merely ok, I wouldn't accuse it of not being literary though. Just not being that interesting to me.
 

Stewart

Administrator
Staff member
Hi Max, can you tell me which Murakami novel is followed by Dance, Dance, Dance? I'd really appreciate this information since I also love Murakami's literature
It's A Wild Sheep Chase. Biarelly, my copy of Danca Dance Dance made no mention of this, thus when a certain character appeared, it felt crazy. I suppose if I'd met him in A Wild Sheet Chase it would have made more sense.
 

Daniel del Real

Moderator
Thanks a lot Stewart. In fact this is great because a month ago I read A Wild Sheep Chase. I had to read it in english becase I think there are no spanish translations for this book. Same situation with Dance, Dance, Dance, but it's great cuz I still have the book fresh in my mind
 
It's A Wild Sheep Chase. Biarelly, my copy of Danca Dance Dance made no mention of this, thus when a certain character appeared, it felt crazy. I suppose if I'd met him in A Wild Sheet Chase it would have made more sense.

Thanks Stewart, I missed the query. Personally, I preferred A Wild Sheep Chase to Dance Dance Dance.

Daniel, Alfred Birnbaum is a good translator into English, if you're stuck reading in this language. There's another good translator, but I'm afraid his name escapes me, Birnbaum is good value though.
 

liehtzu

Reader
Hayashi Fumiko is another excellent author. I've only read a few of her short stories, but they are excellent in discussing the role of family in 20th century Japan.

An excellent (and totally unexpected) call. Not many people know Hayashi, and though she gets anthologized a lot she hasn't had much standalone published. I discovered her through the films of Naruse Mikio, who adapted several of her hard-luck novels and stories into some of the best and most depressing melodramas of the twentieth century - the perfect marriage of sensibilities.

I recommend:

The Silent Cry by Oe Kanzeburo
The Sailor Who Fell From Grace With the Sea by Mishima Yukio
Seven Japanese Tales by Tanizaki Junichiro
The Waiting Years by Enchi Fumiko
Silence by Endo Shusaku
The Setting Sun by Dazai Osamu
Toddler-Hunting by Kono Taeko
Woman in the Dunes by Abe Kobo
A Fool's Life by Ryunosuke Akutagawa
Kusamakura by Natsume Soseki
...and anything by Kawabata Yasunari

I think the Oxford Anthology is best for a sampling, but Ivan Morris's has been in print for over four decades with good reason, and Donald Keene's is also superb.

As for the Akutagawa Prize, I haven't read any of the recent winners but friends have told me that recent winners translated into English tend to fall pretty squarely into the "torture noir" niche, which bores me. I also have one of the more notorious winners, Murakami Ryu's Almost Transparent Blue, on the shelf.

I like Yoshimoto Banana and Murakami Haruki, but give me the old fellers (and ladies, natch) any day of the week. Hmm... come to think of it, same goes for American lit... and Russian... and French...
 
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